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indierock online » 2006 » October
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Tim Festival 2006

30 10 2006

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Este site já cobriu Tim Festivals melhores, em termos de programação. O que não significa dizer que o evento em São Paulo tenha sido ruim, a começar pela dádiva que foi a transferência do Anhembi para o Tom Brasil. O som não estava muito bom, mas certamente estaria ainda pior no local originalmente planejado para os shows. A organização, no mais, foi boa.

Acabei perdendo o Mombojó. O TV on the Radio conseguiu ser ainda melhor que o esperado. Showzaço. Tocaram “Dreams”, “Staring at the Sun”, “Wolf Like Me”, ao menos uma inédita… Trata-se mesmo de uma banda única, que merece cada uma das boas resenhas que vem recebendo no mundo todo.

Assista: TV on the Radio - Dreams (ao vivo no Tim Festival 2006)


Quanto ao resto… O show do Thievery Corporation foi uma salada de idéias e estilos. Chato, dentro da expectativa. O Yeah Yeah Yeahs fez tudo o que se esperava da banda. Ou seja, um show sujo, cru e animado pela agitação da Karen O, que tem mesmo uma presença de palco incrível. Teve “Date with the Night”, “Maps”, “Y Control”… Não teve “Way Out”.

Ao Daft Punk coube fechar a noite. A pirotecnia trazida para o Brasil foi comparável ao show da banda que vi em maio, no Coachella. No cheap stuff. Achei que uma parte considerável do público arredaria o pé antes do fim, temendo a segunda-feira braba. Engano meu, pois ficou claro que a grande maioria das pessoas estava lá para ver os franceses transformarem o Tom Brasil em uma boate gigante. Naquele momento, se lia sem muita dificuldade na cara das pessoas que, apesar dos pesares, estavam justificados os salgados R$180 por um ingresso.

Fotos:





Jens Lekman no Brasil

30 10 2006

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O Bruno prometeu ficar um tempo sem falar sobre o Jens Lekman, mas eu não disse nada. O site do cara foi atualizado hoje com as datas dos shows que ele fará em dezembro, aqui no Brasil, junto com a Perro del Mar e o Hell on Wheels:

11/12 - Era só o que faltava, Curitiba/PR (Erlend Øye, Hell On Wheels, El Perro del Mar e Jens Lekman)
13/12 - Studio-SP, São Paulo/SP (Erlend Øye, Hell on Wheels e Jens Lekman)
14/12 - Teatro Odisséia, Rio de Janeiro/RJ (Erlend Øye, Hell on Wheels, El Perro del Mar e Jens Lekman)
15/12 - SESC Vila Mariana, São Paulo/SP (Erlend Øye e El Perro del Mar) (a confirmar)

Ou seja, segunda-feira em Curitiba, quarta em São Paulo e quinta no Rio. Apesar dos dias não serem os mais apropriados, não dá pra perder o cara tocando por aqui.

[edit 06/11/2006] Foi confirmada hoje a abertura dos shows pelo Erlend Øye, que é metade do Kings of Convenience e frontman do Whitest Boy Alive.




Rapidinhas

30 10 2006

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* A amiga Renata Dias mandou duas ótimas dicas. Primeiro, um link no YouTube com o Erlend Øye tocando Tram #7 to Heaven, pérola do Jens Lekman (prometo evitar falar nesses dois no futuro próximo). Segundo, um link para os Concerts à emporter, do Blog francês La Blogothèque: filmagens de Spinto Band, Okkervil River, Casiotone for the Painfully Alone, Islands, Divine Comedy, Hidden Cameras e outros tocando suas próprias músicas no meio da rua, com som ambiente, sem firulas. Mais DIY, só isso.

* Decepcionante este Do It Again: A Tribute To Pet Sounds, que saiu pela Houston Party Records. Incrível como parecia não poder dar errado - 13 boas bandas interpretando o Pet Sounds na íntegra -, mas deu. Até os casamentos mais promissores, de Daniel Johnston com “God Only Knows” e dos irmãos Oldham com “Wouldn’t It Be Nice”, resultaram em versões medíocres.

* Mais tarde vou postar umas fotos e videos da edição paulista do Tim 2006, que aconteceu ontem.




El Perro del Mar em Paris

26 10 2006

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Segue texto de Laurindo Feliciano, comparsa de longa data que mora em Paris e sempre manda informações quentes do que acontece por lá:

Há um mês tive o privilégio de ver a sueca El Perro del Mar tocando em Paris. Após o show, pedi à Sarah Assbring para me conceder uma breve entrevista para o Indierock. Transcrevo o resultado abaixo, no original:

1- I am under the impression that you don’t like the concept to create an “album”, but you prefer isolated songs, each one with a different story, a different feeling. Is this vision of your work true?

S: When I started writing the songs that eventually became the album I was very much into the idea of writing and recording session-wise. I wanted the songs to be able to stand for themselves and not to be just parts of a bigger thing. I wanted each song to be thought of as an album in itself almost. You see, initially I released my songs one by one or three at a time so that’s why I think that idea was very important to bring forward. I still prefer thinking of my music in that kind of way though I’m now really looking forward to creating an album in a more kind of traditional way - I think the next album will be more of a symphony - i e all the songs based on a conceptual vision or idea.

2- With which frequency do you write songs?

S: It’s very different. In one sense I think I’m always thinking of songwriting though I’m obvisously not actively writing all the time. But creating things in my head is an on-going process that never stops. I think of it as a collecting process that is always in progress and when the actual recording and arranging takes place I’m quite clear of where I and the songs are and where they’re going.

3- Can we expect a new album soon?

S: Yes, but not in a near near future. I’m in the working of a new album but I don’t know when it will be finished.

4- Can you name some of your favorite contemporary songwriters?

S: I find it terribly hard to come up with contemporary writers. Here are some of my favourite songwriters regardless of time: Burt Bacharach, Serge Gainsbourg, John Lennon, Neil Young, Brian Wilson, Paul Simon.

5- If you had to pick a couple of their songs to put on a mixtape for a special person, which ones would you pick?

S: ‘Walk on by’ - sung by Dionne Warwick, ‘Je suis venu te dire que je m’en vais’ - Serge Gainsbourg, ‘You and me’ - Neil Young, ‘What is life’ - George Harrison, ‘God only knows - Brian Wilson, ‘Oh Yoko’ - John Lennon.

6- Who do you think are the main promises in the new swedish music scene?

S: I cannot really answer that question….but there’s a band called Peter, Bjorn and John. They’re really talented and unique and write such brilliant pop songs.

7- What are your expectations regarding your upcoming shows with Jens Lekman in Brazil?

S: Oh I’m really looking forward to it! It’s really hard to imagine what it will be like so I’ll try not to do that. I’m really glad that this tour will be happening!

 

Escute: “El Perro del Mar - God Knows (You Gotta Give to Get)”

(A Perro del Mar lançou seu primeiro full-length este ano. O disco, homônimo, vem recebendo boas críticas da imprensa internacional.)




Herman Düne

23 10 2006

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Pouco antes de sair do ar este site puxava o saco de Not on Top (2005), então último disco do Herman Düne. A banda é composta por dois suecos, um suíço e alguns colaboradores, como a canadense Julie Doiron (ex-Eric’s Trip). Eles utilizam instrumentação simples e desplugada em canções que, com raízes no folk (ou no chamado anti-folk), contam histórias inteligentes e bem humoradas.

Em Giant (2006), mais novo trabalho do grupo, a fórmula não mudou uma vírgula. O disco é menos consistente que o anterior, e parece perder o fôlego na segunda metade de suas 16 faixas. Ainda assim, o resultado é sólido, e há alguns ótimos singles, como “I Wish That I Could See You Soon”, “Glory of Old” e “1-2-3-Apple-Tree”. Esta última é um bom exemplo da facilidade dos suecos com as palavras:

If you worship Jesus / when I am a jew
Then you will know how bad / I like to be with you
And you know how people shorten other people’s names / To show their affection
Like if you call me Ray / If my name was Raymond
Well, your name ain’t Susan / but I would call you Sue
To show you how bad / I like to be with you

Assista: “I Wish That I Could See You Soon”


Os caras do HD também têm uma quantidade assombrosa de projetos paralelos. Em um deles, o vocalista/guitarrista André Herman Düne se juntou à cantora francesa Clémence Freschard para lançar Kreuzberg Café (2006), um bom disco de covers de Nick Cave, Leonard Cohen e Will Oldham, que fica aqui recomendado.

Escute: “André Herman Düne & Clémence Freschard: Breathless (Nick Cave)”




Badly Drawn Boy

18 10 2006

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Chato pacas este Born in the UK, novo do Damon Gough (aka Badly Drawn Boy). O disco, que faz referência clara a Bruce Springsteen, supostamente trata da infância de Gough no Reino Unido.

As boas intenções se perdem em um mar de arranjos sem inspiração e letras sentimentalóides, e “Nothing’s Gonna Change Your Mind”, primeiro single do álbum, é o melhor exemplo. A faixa pretende ser grandiosa, com direito a crescendo, cordas e pianos, mas acaba soando totalmente genérica. O fato das letras serem do naipe de “Darling spread your wings / I stole all the roses that make your crown / now it’s easier to just put aside / the things that face us now” também não ajuda muito.

É cada vez mais improvável que o BdB lance outro trabalho à altura de Hour of Bewilderbeast (2000), disco que o tirou do anonimato e foi um dos destaques daquele ano, com 18 faixas e pouquíssimos fillers. Ia colocar alguma música do álbum novo aqui, mas nem vale a pena. Melhor linkar para os videos de duas grandes canções antigas de Gough: Once Around the Block e Silent Sight.




42

17 10 2006

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Deu ontem, na Slashdot: o Webaroo, programa que cataloga o conteúdo de alguns sites, permitindo acesso offline, passou a oferecer um pacote com a Wikipedia. Com um computador portátil e 6 gb livres, dá para ter o conteúdo integral da enciclopédia no bolso… São quase 4 milhões de artigos. Tudo de graça, e facilmente atualizável.




Damien Jurado, Dýrðin e Shara Worden

11 10 2006

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O disco novo do Damien Jurado já está rolando na rede desde a semana passada. And Now I’m Your Shadow, oitavo full-lenght de Damien em nove anos, agora o apresenta acompanhado de uma banda permanente. O principal não foi alterado: o cara continua fazendo canções folk como poucos.
Escute: Damien Jurado - Denton, TX

 

Nota mental: Sarah Records + C86 = Bingo. Até aí, nada de novo para o indie-pop, mas o Dýrðin usa essa já bem conhecida fórmula com um diferencial: letras em sua língua nativa, o islandês. O seu primeiro disco foi lançado pelo selo Skipping Stones, o mesmo dos suecos do The Charade. Um dos destaques é a sexta faixa, que - pelo que pude apurar - conta um caso de amor entre um alien e o Spock. úúúúúúÚÚÚÚ Mister Spock. Grudenta.
Escute: Dýrðin - Mr. Spock

 

Shara Worden, que passou algum tempo atuando como backing vocal do onipresente Sufjan Stevens, desponta como uma daquelas faz-tudo do mundo da música. Ela lançou, há alguns meses, o primeiro disco de sua banda My Brightest Diamond, uma interessante fusão de rock alternativo com ópera. Nada muito extravagante… Até ela fazer uma colaboração com um dos nomes mais conhecidos do underground hip-hop americano, o Jedi Mind Tricks, na faixa “Razorblade Salvation”. A música, aliás, conta com samples de “Dumb I Sound”, do disco A Sun Came, do Sufjan.
Escute: Jedi Mind Tricks - Razorblade Salvation (ft. Shara Worden)




Spinning Around, Hits e Indierock Tonight

5 10 2006

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Para quem estiver em Belo Horizonte, estréia nesta sexta-feira, na Obra, a festa Spinning Around, projeto novo dos amigos Pedro Kalil e Rogério Brittes. Ambos sacam muito de música, e também são organizadores da bacanuda iniciativa Cine Subterrâneos. Um pouco sobre a festa, nas palavras dos próprios:

Sim, somos os mesmos da festa anos 90, porém desta vez sem nenhum tipo de restrição. É o tipo de festa que sempre esperamos ter, nada muito temático, podendo rolar de tudo um pouco e não só aqueles hits ultra hits, mas umas coisas bem legais que animam qualquer um.

E na próxima quarta-feira, véspera de feriado, rola Hits no Mary in Hell. Não vou poder comparecer, mas o Zé chamou nada menos que três convidados “responsa”: o Barbado, a Cris Foxcat e o infame DJ Bitt. Aposto que eles vão tocar Peter Bjorn & John umas 3 vezes. Vai ser foda.

Na mesma quarta-feira, dia 11/10, rola Indierock Tonight, novamente na Obra. Também terei que dar o cano, desta vez, mas o Marcos mais que segura a onda.




Covers (Portastatic, Trail of Dead, etc)

5 10 2006

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Dois discos que vazaram recentemente têm covers bacanas.

No novo do Trail of Dead, So Divided, que vazou esta semana, rola um cover de Guided by Voices. A versão, muito parecida com a original, não é das mais inspiradas… Mas vale por se tratar de uma das melhores músicas do melhor disco do GbV (Bee Thousand, 1994).

Escute: “Trail of Dead - The Goldheart Mountaintop Queen Directory (GbV)”

Outro lançamento que traz um cover legal é o EP Sour Shores, do Portastatic, projeto do Mac McCaughan (dono da Merge Records e cabeça do Superchunk) que vive ameaçando fazer shows no Brasil. Trata-se de uma versão acústica para a ótima “And I Was a Boy from School”, um dos singles do aclamado último disco do Hot Chip (The Warning, 2006).

Escute: “Portastatic - And I Was a Boy from School (Hot Chip)”

O Superchunk, aliás, é famoso por fazer uns covers improváveis. Foi o que rolou nos idos de 90 e algo, quando a banda gravou “100,000 Fireflies”, do Magnetic Fields (que integra o cast da Merge). A versão não chega aos pés da original, mas é um válido tributo a uma das melhores canções da última década. Lembro também de versões do Superchunk para Girl U Want (Devo), Love Vigilantes (New Order) e Brand New Love (Sebadoh). Percebe-se que eles não perdem tempo regravando nada que não seja clássico.

Escute: “Superchunk - 100,000 Fireflies (Magnetic Fields)”

Para finalizar, outros dois covers relativamente atuais. Há pouco mais de um ano o Ben Lee regravou “Float On”, do último do Modest Mouse. Saiu como lado B do single de “Catch My Disease”. E o Ben Folds fez, em recente participação em uma TV australiana, uma versão para “Such Great Heights”, do Postal Service… O cara anda tão popular que o caso até foi parar no digg, com um rating que já ultrapassou os 800 pontos (ou “diggs”).

Escute: “Ben Lee - Float On (Modest Mouse)”

Assista: “Ben Folds - Such Great Heights (Postal Service)”





Whitest Boy Alive e Tap Tap

2 10 2006

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Um disco que tenho escutado bastante é o homônimo trabalho de estréia do Whitest Boy Alive, novo projeto do Erlend Øye (Kings of Convenience). A banda é quase tão minimalista quanto o KoC, com guitarras pouco distorcidas, bateria discreta e vocais sempre bem à frente.
Escute: “Burning”

 

Outro disco muito legal é o début dos ingleses do Tap Tap, Lanzafame. Às vezes lembra uma versão caseira e lo-fi do Arcade Fire. Em outros momentos, soa como Kinks e Beach Boys… O disco todo é bom, mas não consigo parar de ouvir a segunda faixa, “She Doesn’t Belong”.
Escute: She Doesn’t Belong

 

It’s so cold this morning / my breath comes out like steeeeeam
I got up in such a hurry / I’m still stuck inside my dreeeeeeeam
I can hide behind sunglasses / it’s not as bad as it seems……..

Irresistível.